“Few filmmakers can tap into our dark and perverse sides as Alfred Hitchcock can. In Rear Window he opens the shutters of our voyeuristic tendencies as we follow a photographer, wheelchair-bound from an injury, who gets his kicks from peeping into other people’s apartments. Fantastic lensing and brilliant use of image-sizing in the POV shots come together in a witty, romantic and sexy edge-of-the seat thriller that sees the director at his very best.” Karan Bali
“This film is an everlasting masterclass in how to develop an emotional conflict within a murder investigation thriller. The main story is hidden in several supporting subplots; many viewers do not even recognise them and still they feel thrilled and engaged. The film is full of psychological finesse.” András Bálint Kovács
“The perfect movie: it works as a romantic drama, as a thriller and as a comedy. It’s Hitchcock at his finest.” Jorge Ignacio Castillo
