Ian Aitken
Professor Emeritus
Hong Kong
Voted for
Film | Year | Director |
---|---|---|
Vertigo | 1958 | Alfred Hitchcock |
La Règle du jeu | 1939 | Jean Renoir |
Battleship Potemkin | 1925 | Sergei M. Eisenstein |
Tokyo Story | 1953 | Yasujirō Ozu |
M | 1931 | Fritz Lang |
The Godfather | 1972 | Francis Ford Coppola |
The Searchers | 1956 | John Ford |
Seven Samurai | 1954 | Akira Kurosawa |
Rashomon | 1950 | Akira Kurosawa |
The Birds | 1963 | Alfred Hitchcock |
Comments
Vertigo
The apex of Hitchcock's career, in which his characteristic themes find their most subtle form of expression. There are moments of sublime cinema in this film, often emphasised by moving camerawork, and the outstanding musical score.
La Règle du jeu
On the surface, a slight comedy of manners, and yet considered so dangerous that it was banned by the French government of the day. Renoir's film shows a morally bankrupt ruling class leading France into slaughter in the forthcoming Second World War. No more devastatingly ironic and subtle critique of wealth, power and privilege has ever been made. A great film by a committed activist film-maker.
Battleship Potemkin
A truly revolutionary film, at the level of both form and content. When it emerged in 1925, this film transformed cinema, placing film squarely amidst the high arts, rather than just amidst the commercial arena. No other film in the history of the cinema has had such a revolutionary impact.
Tokyo Story
Ozu's most important film, and the apogee of his realist film-making
M
Lang's most important film
The Godfather
Coppola's best film
The Searchers
The most important western film
Seven Samurai
Kurosawa's most important film, and he is also perhaps the most important director
Rashomon
Kurosawa's groundbreaking, modernist, relativist film
The Birds
The most important horror film.