Grazia Ingravalle
Lecturer in Film
UK
Voted for
Film | Year | Director |
---|---|---|
Battleship Potemkin | 1925 | Sergei M. Eisenstein |
Gone with the Wind | 1939 | Victor Fleming |
Stories We Tell | 2012 | Sarah Polley |
Apur Sansar | 1958 | Satyajit Ray |
Beau travail | 1998 | Claire Denis |
Badlands | 1973 | Terrence Malick |
Tins for India | 1941 | Bimal Roy |
Film Ist. (1-2) | 1996–2002 | Gustav Deutsch |
Springtime | 1929 | Mikhail Kaufman |
POZNAVAYA BELYI SVET | 1979 | Kira Muratova |
Comments
Gone with the Wind
This is a painful and beautiful classic Hollywood film to watch – I would not say despite its race politics but because of it. It invites a complex mode of spectatorship, pedagogy and curatorship, able to discern the film’s racial stereotyping, nostalgic romanticisation of slavery and racial inequality, as well as the historicity of popular media representations and audience reception. At the same time, contradictorily, Gone with the Wind's dramatic Technicolor cinematography and poignant performances enchantingly absorb us into its epic narrative world. I recommend checking out Jacqueline Stewart’s introduction before watching it: https://youtu.be/0DF2FKRToiQ.
Further remarks
Watched on a small or big screen, in 4k or low definition, in streaming or 35mm, each one of these films deeply moved me, disclosing the layered beauty of cinema.