Sarah Maldoror, now celebrated with a season at BFI Southbank, has long stood as an exemplar of politically radical filmmaking. But her films are also intimate works of joy, celebration and beauty, writes Rachel Pronger.
By Rachel Pronger
By J. Hoberman
By Peter Wollen
By Bryony Dixon
By Nick James
By Michal Leszczylowski
By SF Said
By Bong Joon Ho, Wong Kar Wai and others
By Tony Rayns
By Amy Taubin
By Abiba Coulibaly
By Artel Great
By Michael Wood
By Quentin Tarantino
By Farran Smith Nehme
By Graham Fuller
By Adam Nayman
By Colin L. Westerbeck Jr.
By Penelope Houston
By Mar Diestro-Dópido
By Lizzie Francke
By Jeffrey Meyers
By Graham Fuller
By Tom Milne
By Adam Nayman
By José Arroyo
By David Jenkins
By Adrian Martin
By Martin Spence
By Louis Marcorelles
