Sight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
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On the cover: The 50 best films of 2024 – how many have you seen? A packed double issue featuring interviews with Luca Guadagnino, RaMell Ross, Brady Corbet and Mona Fastvold, Robert Eggers, Amy Adams, Guy Maddin, Cate Blanchett and Jesse Eisenberg. Plus, directors including Guillermo del Toro, Wes Anderson and Alice Rohrwacher on their favourite festive films.
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The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
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Chantal Akerman: a primer
Throughout her career, Chantal Akerman pursued certain themes and ideas. Cristina Álvarez López and Adrian Martin offer a guide to some of the most important.
By Cristina Álvarez López and Adrian Martin
Sight and Sound presents the auteur series: Chantal Akerman
Sight and Sound presents the auteur series: Chantal AkermanDavid Lynch on music and innovation: “I like to call it experimentation”
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Wolf Man: creature feature sinks its fangs into toxic patriarchy
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Here: one-room journey through American history lapses into gimmickry
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“Rearrange their faces and give them all another name”: on Bob Dylan and I’m Not There
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“You have to take the glamour away from the kink”: Halina Reijn on Babygirl
By Leila Latif
Sight and Sound back issues, indexes and archive
Browse and order our past issues, including specials; download our annual indexes; access our complete digital archive.
Find out moreMy Dream Palace
“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras
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The Weekly Film Bulletin
Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
Keeping a distance: Chantal Akerman’s Jeanne Dielman
By Janet Bergstrom
Rhapsody in blue: Barry Jenkins on Moonlight
By Gaylene Gould
An audience with Howard Hawks
By Joseph McBride and Michael Wilmington
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