From the Sight and Sound archive
Escape artist: Lynne Ramsay’s Morvern Callar
As Die My Love hits UK cinemas this week, we revisit Lynne Ramsay's second feature Morvern Callar, a modern-day fairytale infused with music, magic and metamorphosis. From our October 2002 issue.
From the Sight and Sound archive
“It’s alive!”: the gothic tradition’s enduring legacy on screen
“It’s alive!”: the gothic tradition’s enduring legacy on screenFrom the Sight and Sound archive
The House of Mirth: a Wharton adaptation that rivals Scorsese’s
The House of Mirth: a Wharton adaptation that rivals Scorsese’sFrom the Sight and Sound archive
Perfect Blue: Kon Satoshi’s twisted pop dream
Perfect Blue: Kon Satoshi’s twisted pop dreamFrom the Sight and Sound archive
Midnight madness: The Rocky Horror Picture Cult
Midnight madness: The Rocky Horror Picture CultFrom the Sight and Sound archive
“It was dance as action rather than as aesthetics”: Stephen Daldry on Billy Elliot
“It was dance as action rather than as aesthetics”: Stephen Daldry on Billy ElliotFrom the Sight and Sound archive
Robert Redford: act natural
Robert Redford: act naturalFrom the Sight and Sound archive
“Consistently convincing, generally hilarious”: This Is Spinal Tap reviewed in 1984
“Consistently convincing, generally hilarious”: This Is Spinal Tap reviewed in 1984From the Sight and Sound archive
Dead of Night: 80 years on, Ealing’s anthology horror is still a waking nightmare
Dead of Night: 80 years on, Ealing’s anthology horror is still a waking nightmareFrom the Sight and Sound archive
“The bleakest portrait of a marriage since Bergman”: The War of the Roses reviewed in 1989
“The bleakest portrait of a marriage since Bergman”: The War of the Roses reviewed in 1989From the Sight and Sound archive
Subversive spirit and satirical energy: Sense and Sensibility reviewed in 1996
Subversive spirit and satirical energy: Sense and Sensibility reviewed in 1996From the Sight and Sound archive
“It’s no good showing things as they are – people wouldn’t believe them”: Alfred Hitchcock on To Catch a Thief
“It’s no good showing things as they are – people wouldn’t believe them”: Alfred Hitchcock on To Catch a ThiefFrom the Sight and Sound archive
A child’s demon: Robert Mitchum in The Night of the Hunter
A child’s demon: Robert Mitchum in The Night of the HunterFrom the Sight and Sound archive
Slaughterhouse blues: Charles Burnett on Killer of Sheep
By Armond White and Alex Cox
From the Sight and Sound archive
“Films constitute a valuable historical document”: Ernest Lindgren on the founding of the National Film Library
“Films constitute a valuable historical document”: Ernest Lindgren on the founding of the National Film LibraryFrom the Sight and Sound archive
Record of War: a provocative pairing of propaganda films
Record of War: a provocative pairing of propaganda filmsFrom the Sight and Sound archive
Refuseniks: Agnès Varda on The Gleaners and I
Refuseniks: Agnès Varda on The Gleaners and IFrom the Sight and Sound archive
“A piece of punk-rock movie-making”: 28 Days Later reviewed in 2002
“A piece of punk-rock movie-making”: 28 Days Later reviewed in 2002From the Sight and Sound archive
“Offers more hope than any other British film of the 1980s so far”: Local Hero reviewed in 1983
“Offers more hope than any other British film of the 1980s so far”: Local Hero reviewed in 1983From the Sight and Sound archive
“One thing this endlessly prurient film never shows is female sexual pleasure”: Showgirls reviewed in 1996
“One thing this endlessly prurient film never shows is female sexual pleasure”: Showgirls reviewed in 1996 From the Sight and Sound archive
“I’m telling the story of me... it might set a trend”: George Lucas on the set of Star Wars
“I’m telling the story of me... it might set a trend”: George Lucas on the set of Star WarsFrom the Sight and Sound archive
“We need to proceed with great caution”: Natasha Lyonne on AI and the Sag-Aftra strike
“We need to proceed with great caution”: Natasha Lyonne on AI and the Sag-Aftra strikeFrom the Sight and Sound archive
Mission: Impossible – a popcorn movie to take seriously
Mission: Impossible – a popcorn movie to take seriouslyFrom the Sight and Sound archive
Mai Zetterling: some notes on acting
Mai Zetterling: some notes on actingFrom the Sight and Sound archive
“Godard’s best film”: Alphaville turns 60
“Godard’s best film”: Alphaville turns 60From the Sight and Sound archive
Marital arts: Pride & Prejudice reviewed in 2005
Marital arts: Pride & Prejudice reviewed in 2005From the Sight and Sound archive
Julie Christie, the honey-glow girl
Julie Christie, the honey-glow girlFrom the Sight and Sound archive
Muriel’s Wedding: the greatest film of all time?
Muriel’s Wedding: the greatest film of all time?From the Sight and Sound archive
Build my gallows high: Joshua Oppenheimer on The Act of Killing
Build my gallows high: Joshua Oppenheimer on The Act of KillingFrom the Sight and Sound archive
Learning to scream: Linda Williams on Psycho
Learning to scream: Linda Williams on Psycho