Features and reviews

Discover the latest from the BFI, the UK’s lead organisation for film, television and the moving image.

Interviews

A home movie for Planet Earth: Ed Sayers on his Super 8 odyssey Super Nature

The director of Super Nature discusses shooting wildlife on Super 8, finding hope amid climate crisis and why the grainy home-movie format is uniquely suited to capturing a world at risk of disappearing.

By Brogan Morris

A home movie for Planet Earth: Ed Sayers on his Super 8 odyssey Super Nature

Interviews

Gregg Araki on I Want Your Sex: “The despair of the bad makes the euphoria of the good even more intense”

By Blake Simons

Gregg Araki on I Want Your Sex: “The despair of the bad makes the euphoria of the good even more intense”

From the Sight and Sound archive

“We wanted the film to have a vibrancy, to be larger than life”: Danny Boyle on Trainspotting

By Geoffrey Macnab

“We wanted the film to have a vibrancy, to be larger than life”: Danny Boyle on Trainspotting

Interviews

The Incomer: director Louis Paxton on his darkly funny tale of siblings, islands and isolation

By Lou Thomas

The Incomer: director Louis Paxton on his darkly funny tale of siblings, islands and isolation

Interviews

“It’s never quite brutal enough for Chris”: The Odyssey cast reveal how they created Christopher Nolan’s epic adventure

By Lou Thomas

“It’s never quite brutal enough for Chris”: The Odyssey cast reveal how they created Christopher Nolan’s epic adventure

Interviews

“I use musical theory to shoot an action sequence”: an exclusive online interview with John Woo

By Matthew Thrift

“I use musical theory to shoot an action sequence”: an exclusive online interview with John Woo

Interviews

John Waters on restoring Hairspray and Desperate Living: “The mistakes are part of the charm”

By Blake Simons

John Waters on restoring Hairspray and Desperate Living: “The mistakes are part of the charm”

Interviews

“Films very rarely do this”: the Nirvanna the Band duo on fair use, 80s blockbusters and guerrilla filmmaking

By James Mottram

“Films very rarely do this”: the Nirvanna the Band duo on fair use, 80s blockbusters and guerrilla filmmaking

Black Film Bulletin

“I want to make films about my community”: Akinola Davies Jr

By Nadia Denton

“I want to make films about my community”: Akinola Davies Jr

Interviews

“We use the street as a studio”: music video pioneers Tim & Barry on capturing the early years of grime

By Will Swinburne

“We use the street as a studio”: music video pioneers Tim & Barry on capturing the early years of grime

Interviews

Here be tourists: how a Scottish black comedy satirises cultural Disneyfication

By Katherine McLaughlin

Here be tourists: how a Scottish black comedy satirises cultural Disneyfication

From the Sight and Sound archive

A close encounter with Steven Spielberg

By Richard Combs

A close encounter with Steven Spielberg

Interviews

“We are living in a time when it’s a superpower to be a celebrity”: Tarik Saleh on the culmination of his Cairo trilogy

By James Mottram

“We are living in a time when it’s a superpower to be a celebrity”: Tarik Saleh on the culmination of his Cairo trilogy

Festivals

“When you look at the roles I played, I made a difference in every movie”: Bruce Dern on his life in film

By Nicolas Rapold

“When you look at the roles I played, I made a difference in every movie”: Bruce Dern on his life in film

Interviews

Sigourney Weaver on Star Wars: “It was a view of the future where different aliens worked and lived side by side”

By Lou Thomas

Sigourney Weaver on Star Wars: “It was a view of the future where different aliens worked and lived side by side”

From the Sight and Sound archive

“I make a daily effort to demolish my ignorance”: Roberto Rossellini interviewed in 1976

By Philip Strick

“I make a daily effort to demolish my ignorance”: Roberto Rossellini interviewed in 1976

Interviews

Mike Figgis looks back on Leaving Las Vegas: “My credit rating had gone down a lot. I was known as a troublemaker”

By Lou Thomas

Mike Figgis looks back on Leaving Las Vegas: “My credit rating had gone down a lot. I was known as a troublemaker”

Influences and inspirations

The old movies again, in a different way: Christian Petzold shares 8 influences on Miroirs No. 3

By Nick Chen

The old movies again, in a different way: Christian Petzold shares 8 influences on Miroirs No. 3

Interviews

This is not a Vivaldi biopic: Damiano Michieletto on Primavera

By James Mottram

This is not a Vivaldi biopic: Damiano Michieletto on Primavera

Interviews

“The hope is you’ll feel you’re in a continuous dream”: Gerald Fox on Kinaesthesia

By Josh Slater-Williams

“The hope is you’ll feel you’re in a continuous dream”: Gerald Fox on Kinaesthesia

Interviews

François Ozon on his adaptation of Albert Camus’s The Stranger: “The idea was to make a very erotic movie”

By Lillian Crawford

François Ozon on his adaptation of Albert Camus’s The Stranger: “The idea was to make a very erotic movie”

Interviews

How we brought the ‘Madfabulous’ life of Wales’s ‘dancing marquess’ to the screen

By Lillian Crawford

How we brought the ‘Madfabulous’ life of Wales’s ‘dancing marquess’ to the screen

Interviews

Mink Stole and Peaches Christ talk trash, collaboration and community: “Divine eating the dog poop was way past the tolerance level of most people”

By Blake Simons

Mink Stole and Peaches Christ talk trash, collaboration and community: “Divine eating the dog poop was way past the tolerance level of most people”

Festivals

“People crave being in the dark together”: Bill Morrison looks back on Decasia and the shift to digital memory

By Georgia Korossi

“People crave being in the dark together”: Bill Morrison looks back on Decasia and the shift to digital memory

Interviews

Elijah Wood on Ready or Not 2 and the appeal of horror movies: “The stakes have to feel real”

By Lou Thomas

Elijah Wood on Ready or Not 2 and the appeal of horror movies: “The stakes have to feel real”

Interviews

“How charming it is to make a silent film”: Bi Gan on Resurrection

By David West

“How charming it is to make a silent film”: Bi Gan on Resurrection

Interviews

Phil Lord and Chris Miller on Project Hail Mary: “We wanted the movie to feel like you were in the guts of a machine”

By Lou Thomas

Phil Lord and Chris Miller on Project Hail Mary: “We wanted the movie to feel like you were in the guts of a machine”

Interviews

“The bride is very disobedient”: Penélope Cruz and Peter Sarsgaard on Maggie Gyllenhaal’s noirish Frankenstein spin-off

By Lou Thomas

“The bride is very disobedient”: Penélope Cruz and Peter Sarsgaard on Maggie Gyllenhaal’s noirish Frankenstein spin-off

From the Sight and Sound archive

“I am not afraid of anything”: Andrzej Wajda interviewed in 2008

By Michael Brooke and Kamila Kuc

“I am not afraid of anything”: Andrzej Wajda interviewed in 2008

Interviews

Plague and panic in 1870s Wisconsin: inside the apocalyptic western A Prayer for the Dying

By Lou Thomas

Plague and panic in 1870s Wisconsin: inside the apocalyptic western A Prayer for the Dying