Peter Labuza
Researcher, International Cinematographers Guild
USA
Voted for
| Film | Year | Director |
|---|---|---|
| A Trip Down Market Street | 1906 | Harry J. Miles |
| Only Angels Have Wings | 1939 | Howard Hawks |
| How Green Was My Valley | 1941 | John Ford |
| To Be or Not to Be | 1942 | Ernst Lubitsch |
| Vertigo | 1958 | Alfred Hitchcock |
| Dragon Inn | 1967 | King Hu |
| Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles | 1975 | Chantal Akerman |
| Stop Making Sense | 1984 | Jonathan Demme |
| 35 RHUMS | 2008 | Claire Denis |
| Cameraperson | 2016 | Kirsten Johnson |
Comments
A list of titles that have left their mark on me, often at certain moments in my life where cinema and reality are often inseparable. For fun, an alternative of twelve others that have left lasting impressions:
Night Nurse (William Wellman, 1931)
The Long Gray Line (John Ford, 1955)
Uptight! (Jules Dassin, 1968)
Duelle (Jacques Rivette, 1976)
Mikey and Nicky (Elaine May, 1976)
New York, New York (Martin Scorsese, 1977)
The Killing Floor (Bill Duke, 1984)
Nitrate Kisses (Barbara Hammer, 1990)
Close-Up (Abbas Kiarostami, 1990)
The Night (Mohamed Malas, 1992)
Disorder (Huang Weikai, 2009)
L for Leisure (Lev Kalman and Whitney Horn, 2014)