Nobuhiro Yamashita
Filmmaker
Japan
Voted for
Film | Year | Director |
---|---|---|
Stevie | 2002 | Steve James |
ZHANTAI | 2000 | Jia Zhangke |
Husbands A Comedy about Life Death and Freedom | 1970 | John Cassavetes |
A Brighter Summer Day | 1991 | Edward Yang |
Jacob's Ladder | 1990 | Adrian Lyne |
Blue Velvet | 1986 | David Lynch |
NO YONAMONO (SOMETHING LIKE THAT) | 1981 | Yoshimitsu Morita |
The Hotel New Hampshire | 1984 | Tony Richardson |
Sátántangó | 1994 | Béla Tarr |
Oasis | 2002 | Lee Chang-dong |
Comments
Film has an entertainment aspect and is also a product. Therefore, various people
are involved, and in the production process the film is completed in a variety of
organized forms. On the other hand, as a film is created by a group of people, a film
creates a distortion of balance, which can sometimes result in an indescribable
emotional experience. In such cases, the distortion is often created by the strong
individuality of the director, but sometimes there are films created by the insistence
of the scriptwriter or producer, or the individuality of each technical part, such as
cinematography, music and editing.
The ten films I have selected are not neat and tidy films, but rather those in which
some distortion or bias is reflected in the works. Such films create a special emotion
between the screen and the audience that can only be obtained through cinema.
These emotions are various, such as joy, fear or sadness.
I always want to continue making films that create such emotions