Nanouk Leopold
Voted for
Film | Year | Director |
---|---|---|
La notte | 1961 | Michelangelo Antonioni |
Solaris | 1972 | Andrei Tarkovsky |
Belle de jour | 1967 | Luis Buñuel |
Melancholia | 2011 | Lars von Trier |
Teorema | 1968 | Pier Paolo Pasolini |
Beau travail | 1998 | Claire Denis |
INTIMNÍ OSVETLENÍ | 1965 | Ivan Passer |
Certain Women | 2015 | Kelly Reichardt |
Punch-drunk Love | 2002 | Paul Thomas Anderson |
The Souvenir | 2018 | Joanna Hogg |
Comments
La notte
1961 Italy, France
For its visual universe and the letter at the end read out loud by Jeanne Moreau.
Solaris
1972 USSR
For its brain-changing structure and its cinematic language
Belle de jour
1967 France, Italy
For its psychological journey and the hole in the sock of Pierre Clémenti.
Melancholia
2011 Denmark, Sweden, France, Germany, Italy
For its strong pivotal structure and the pulling threads of depression.
Teorema
1968 Italy
For its dry visual preciseness and its story structure.
Beau travail
1998 France
For its moving language and the boldness of the dance scene.
INTIMNÍ OSVETLENÍ
1965 Czechoslovakia
For always making me happy.
Certain Women
2015 USA
For Jared Harris in the car with Laura Dern and for Lily Gladstone outside the building where Kristen Stewart works.
Punch-drunk Love
2002 USA
For the man and his sisters and its visual boldness.
The Souvenir
2018 United Kingdom
For holding its breath, withholding information and being as sharp as a knife.