One of the cinema’s great political masterpieces, as important as Eisenstein’s Battleship Potemkin 40 years earlier, The Battle of Algiers charts the history of Algeria’s national liberation movement from its inception in 1954 to the country’s independence in 1962.

The film is no dry, detached documentary, however much the grainy black-and-white cinematography makes it look like a newsreel. Individual set-pieces are as gripping as any ever filmed, with Gillo Pontecorvo’s determination to give both sides a fair hearing leading to constant moral ambiguity when both sides commit tit-for-tat atrocities. Although there’s no doubt where the film itself stands (it was independent Algeria’s first production), the most richly drawn character is the French Colonel Mathieu (Jean Martin), aware that he’s on history’s losing side but still required to go through the motions.

Initially banned in France, Pontecorvo’s film has been used as a morale-booster by both the Black Panther movement and the 2010 Algerian World Cup team.

“Unquestionably the greatest political film ever made, and by such a wide margin that it’s hard to think of an obvious runner-up. Riveting as a suspense thriller and rigorously clear-eyed in its presentation of atrocities committed by both sides. It’s uncannily relevant to this day in its forensically detailed explanation not merely of the reasons why Western occupation of the Middle East is always doomed to failure but also exactly how terrorist cells operate, both then and now.” Michael Brooke

Film	Year	Director
The Battle of Algiers	1966	Gillo Pontecorvo
The Conformist	1970	Bernardo Bertolucci
La CIOCIARA	1960	Vittorio De Sica
Nothing but a Man	1964	Michael Roemer
The Spook Who Sat by the Door	1973	Ivan Dixon
XALA	1975	Ousmane Sembène
LUCIA	1969	Humberto Solás
Children of Men	2006	Alfonso Cuarón
Lord of the Flies	1963	Peter Brook
Le TRAIN	1973	Pierre Granier-Deferre

Michael Martin

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