Marcelo Alderete
Programmer, critic
Argentina
Voted for
Film | Year | Director |
---|---|---|
La COLLECTIONNEUSE | 1966 | Eric Rohmer |
Wanda | 1970 | Barbara Loden |
Two-lane Blacktop | 1971 | Monte Hellman |
Blow Out | 1981 | Brian De Palma |
Histoire(s) du Cinéma | 1988 | Jean-Luc Godard |
Hui dao feng huang qiao (Out of the Phoenix Bridge) | 1997 | Hong Li |
La CHOUETTE AVEUGLE | 1987 | Raúl Ruiz |
Meshes of the Afternoon | 1943 | Maya Deren, Alexander Hackenschmied |
GUE MOOL | 2006 | Bong Joon-ho |
The Man Who Shot Liberty Valance | 1962 | John Ford |
Comments
I would like to say: Never explain, never complain, but the job of the critic (and in a more hidden way, also of the work of the programmer) is to talk and complain. At this point the justifications for the lists almost became a literary genre. A list without its explanatory text will always seem incomplete. Something that may not be a bad thing. Perhaps this is the way to introduce some mystery into something as closed as a list. I don't know. In any case, don't forget to tell yourself: it's just a list. And If you don't agree with my list, don't worry, as Groucho Marx said: I have another one. And you know where to find me. Have a nice life.