James Schamus
Filmmaker
USA
Voted for
Film | Year | Director |
---|---|---|
Vertigo | 1958 | Alfred Hitchcock |
The Searchers | 1956 | John Ford |
The Ascent | 1976 | Larissa Shepitko |
Vivre sa vie | 1962 | Jean-Luc Godard |
Double Indemnity | 1944 | Billy Wilder |
Ordet | 1955 | Carl Th. Dreyer |
Tokyo Story | 1953 | Yasujirō Ozu |
Bicycle Thieves | 1948 | Vittorio De Sica |
Persona | 1966 | Ingmar Bergman |
La Jetée | 1962 | Chris Marker |
Comments
Vertigo
Because it's the best.
The Searchers
In The Searchers, Ford not only achieves the pinnacle of the western – the most influential and exemplary movie genre in history, to which no other director contributed nearly as many canonical texts – but also inscribes within the film an astonishing critique of his own life's work up until that point. A grand, brutal and fearless work.
The Ascent
I have no doubt that had Shepitko not died tragically at an early age she would have continued to make masterpiece after masterpiece and be considered today one of cinema's greatest artists. Watching The Ascent – her searing study of wartime heroism – is a devastating, transcendent experience.
Vivre sa vie
Deep human emotion and empathy plus Godardian formal/political play.
Ordet
Two hours of farmers and villagers bickering over religion (plus some other stuff), ending with six minutes that will have you on your knees in wonder. A miracle.
Further remarks
I'm surprised at how 'conservative' my choices ended up being, but my past decade of viewing hasn't dislodged many of my canonical favourites after all.