James Rodrigues
Film Critic
UK
Voted for
Film | Year | Director |
---|---|---|
Magnolia | 1999 | Paul Thomas Anderson |
Halloween | 1978 | John Carpenter |
Airplane! | 1980 | Jim Abrahams, David Zucker, Jerry Zucker |
Moonlight | 2016 | Barry Jenkins |
Near Dark | 1987 | Kathryn Bigelow |
Pan's Labyrinth | 2006 | Guillermo del Toro |
Children of Men | 2006 | Alfonso Cuarón |
Mad Max: Fury Road | 2015 | George Miller |
Lilo & Stitch | 2002 | Chris Sanders, Dean DeBlois |
The Texas Chain Saw Massacre | 1974 | Tobe Hooper |
Comments
Magnolia
A three-hour journey between interconnected stories that left me eager for more time spent with these characters. A story about how parental actions impact upon their children, the various ways people yearn for love, a question about what can be forgiven, wrapped within this absorbing masterpiece.
Halloween
John Carpenter phenomenally scores and directs this taut horror flick, as the masked embodiment of pure evil carves his way through the social circle of teenager Laurie Strode.
Airplane!
A rapid-fire array of surreal gags and deadpan delivery that hit with such precision, making for comedy gold whether it's your first or 51st viewing.
Moonlight
A touching drama covering three time periods, as stunning performers bring alive Chiron from childhood to adulthood as he longs for connection and grapples with his mother's addiction. Themes of identity and self-acceptance are delivered in gorgeously understated ways that linger long after.
Near Dark
Before moving onto socially relevant dramas, Kathryn Bigelow made her mark on the vampire sub-genre with this western infusion that's equally entrancing and exciting. Between Bill Paxton's livewire performance and Joshua John Miller's bitter man trapped in a boy's body, there's no shortage of exceptional additions to these creatures of the night.
Pan's Labyrinth
A dark fable that crosses an unforgettable fairytale with the horrors of war, as del Toro once more showcases how man can be the greatest monster of all (although the Pale Man is a very close contender in the film's standout sequence).
Children of Men
The farther we get from this film's release, the more relevant it seems in the political climate. An unforgiving look at a bleak future, with barriers put up against oncoming hope; and a masterclass in how to deliver tension and emotion through tracking shots.
Mad Max: Fury Road
A masterstroke in minimalist storytelling, as practical effects, a pulse-pounding score and energetic editing heighten the exciting action which drives the story. A film that begs viewers to witness it repeatedly, and for good reason: it rules.
Lilo & Stitch
What happens when a blue alien, genetically engineered to be destructive, lands on a Hawaiian island? He opens himself up to Elvis, finds himself a loving family, and learns he can be whoever he wishes to be instead of the abomination others call him. One of the funniest and most tear-inducing films films Disney has ever made.
The Texas Chain Saw Massacre
A masterclass in how editing and scoring can heighten and improve a film, from simple beginning to unforgiving ending. A tense and grimy ride that will leave you desperate for a shower afterwards.
Further remarks
If I had an 11th choice, it would be Christopher Nolan's 2006 film The Prestige.