Emanuela Martini
Film critic
Italy
Voted for
Film | Year | Director |
---|---|---|
Citizen Kane | 1941 | Orson Welles |
Nashville | 1975 | Robert Altman |
The Red Shoes | 1948 | Michael Powell, Emeric Pressburger |
North by Northwest | 1959 | Alfred Hitchcock |
The Searchers | 1956 | John Ford |
La dolce vita | 1960 | Federico Fellini |
The Wild Bunch | 1969 | Sam Peckinpah |
Some Like It Hot | 1959 | Billy Wilder |
Pulp Fiction | 1994 | Quentin Tarantino |
All about Eve | 1950 | Joseph L. Mankiewicz |
Comments
Citizen Kane
The movie that brought cinema into the modern age. Any time I watch it I discover new ideas.
Nashville
The great American "novel" of the second half of the 20th century.
The Red Shoes
I could have chosen The Life and Death of Colonel Blimp or A Matter of Life and Death, but The Red Shoes is the quintessential European melodrama, likely the first example of auteur's blockbuster.
North by Northwest
The best of Hitchcock in one shot.
The Searchers
John Ford is cinema and The Searchers is Ford's poetic summary.
La dolce vita
The synthesis of Italian cinema and of Fellini's vision.
The Wild Bunch
The cry of an era, and the best editing ever.
Some Like It Hot
One great comedy for all, the link between Bringing up Baby and The Big Lebowski
Pulp Fiction
A perfect script and probably the most influential narrative style for the new century's cinema.
All about Eve
From an almost forgotten and sometimes underrated auteur, a perfect, wicked, witty dramedy.
Further remarks
Ten are not enough. And, after 130 years, 20 wouldn't be enough. So in the end I think these are just some of my favourites, mostly those which made me fall in love with cinema. And tomorrow some titles would be different: maybe The Apartment instead of Some Like It Hot, or Peeping Tom or A Matter of LIfe and Death instead of The Red Shoes, or I would choose De Sica instead of Fellini. Sadly, I had to leave out some of my favorite (and most influential) directors: Melville and Cassavetes, Scorsese and Allen, Sirk and Fassbinder, Hawks and Truffaut, Coen brothers and Almodovar… and the good movies of the last three decades, Paul Thomas Anderson's included. But definitely my 11th title would be Bergman's Wild Strawberries and my 12th Bogdanovich's The Last Picture Show.