Babak Payami
Director
Iran/Canada
Voted for
Film | Year | Director |
---|---|---|
Citizen Kane | 1941 | Orson Welles |
Seven Samurai | 1954 | Akira Kurosawa |
2001: A Space Odyssey | 1968 | Stanley Kubrick |
Last Year at Marienbad | 1961 | Alain Resnais |
Blowup | 1966 | Michelangelo Antonioni |
Nashville | 1975 | Robert Altman |
8½ | 1963 | Federico Fellini |
Wind, Water, Dust | 1989 | Amir Naderi |
Leviathan | 2014 | Andrey Zvyagintsev |
Ashes and Diamonds | 1958 | Andrzej Wajda |
Comments
Citizen Kane
Ground breaking, genius, the mother of all films... there are countless ways of describing this important part of film history. The underlying importance of Citizen Kane, however, is that it remains an inspiration for every filmmaker to reach for the clouds and defy all odds.
I believe that Citizen Kane did not define Orson Welles' character as an artist, it was his character that made his films what they were.
Seven Samurai
Cinema is a universal language that can be deeply rooted in a specific culture, ethnicity or period in history. It is the only means of communication that can reach beyond boundaries with such ease and effect. Kurosawa exploited the potential of cinema to its fullest, with mastery. Seven Samurai is one such example in his rich body of work.
2001: A Space Odyssey
Every potential kind of cinema explored in one film.
Last Year at Marienbad
The very essence of cinema is instilled in this film. I feel lucky that the first time I saw this film, it was in a real theatre on the big screen. Resnais demonstrates how, in any given work, the artist brings their own conventions to cinema.
Blowup
Predictability is every artist's worst nightmare. There is nothing predictable in this film and by the last sequence, the viewer realizes that there is yet more to this film than meets the eye.
Nashville
America, and American cinema, masterfully and effortlessly wrapped into one cinematic package.
8½
I believe that the best films are those that cannot be described to someone. 8½ is one such example. Just watch it if you haven't – and if you have, watch it again every chance you get.
Wind, Water, Dust
Amir Naderi's command of the universal language of cinema gives him the ability to arrive at profound sophistication with the purest simplicity; as if there was not other form of communication in the world.
Leviathan
Russian/Soviet Cinema has offered so much since the very advent of cinema – I won't repeat the obvious examples. In Leviathan, lead actor Aleksey Serebryakov sits within a rich tradition with confidence and passion. In this film, the plight of ordinary people is the beginning, middle and end.
Ashes and Diamonds
Wajda's love for, and mastery of, cinema made his films stand out like diamonds in the rough of a highly politicized, ideological environment – a plight that many filmmakers in countries under totalitarian rule faced and few survived. I identify with this plight and admire the greatness of this filmmaker and his work.
Further remarks
The greatest films are often made by filmmakers who cannot be defined by only one of their works. This list becomes more meaningful when considering each filmmaker's entire body of work. They are among the many that have been instrumental in driving my passion for filmmaking.