From the mid-1960s onwards, Le Grice began to develop radical new ways of thinking about film. There was a sense of things being revealed, the guts of cinema and art being reformulated.
By William Fowler
By William Fowler and Stephen Sutcliffe
By William Fowler
By Josephine Botting, William Fowler and others
By Lisa Kerrigan, Nadia Attia and others
By William Fowler
By William Fowler
By William Fowler
By Bryony Dixon, Ros Cranston and others
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By Ros Cranston, William Fowler and others
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By William Fowler
By William Fowler
By William Fowler
By Bryony Dixon, William Fowler and others
By William Fowler and William Raban
By William Fowler
By William Fowler, Georgia Korossi and others
By William Fowler
By William Fowler
By William Fowler
By William Fowler
By Jane Giles and William Fowler
By William Fowler
By William Fowler
