Festivals
Celluloid gold, digital charcoal: is this the end of the camera’s caress?
Watching Denis Côté's digitally desultory Vic + Flo Saw a Bear opposite Max Ophuls's visually caressing The Trouble with Money, Shane Danielsen wonders why we are stripping the lustre from our screen stars.
By Shane Danielsen
Celluloid gold, digital charcoal: is this the end of the camera’s caress?