A lightning bolt or a melodrama “full of old ingredients”? How Roberto Rossellini’s wartime drama Rome, Open City became a line-in-the-sand moment for world cinema.
By Alex Barrett
By Alex Barrett
By Alex Barrett
By Alex Barrett
By Alex Barrett
By Alex Barrett
By Alex Barrett
By Alex Barrett
By Alex Barrett
By Alex Barrett
By Alex Barrett
By Alex Barrett
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By Alex Barrett
By Alex Barrett
By Alex Barrett
By Alex Barrett
By Alex Barrett
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By Alex Barrett
By Alex Barrett
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By Alex Barrett
By Alex Barrett
By Alex Barrett
By Alex Barrett
By Alex Barrett
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