Full programme announced for 66th BFI London Film Festival

The 66th BFI London Film Festival (LFF) in partnership with American Express today announces the full programme lineup, which will be presented in cinemas and online, across the UK. Over 12 days from 5 to 16 October, the LFF will return to its fantastic flagship venues in the heart of London – BFI Southbank and the Southbank Centre’s Royal Festival Hall, which between them host Galas, Special Presentations and Official Competition. Films and series from all strands of the festival screen in many of central London’s iconic cinemas with a curated selection of features showcased at 10 partner venues across the UK.

The full programme features films, series and immersive art works from over 63 countries with 41% of the programme made by female and non-binary directors/creators or co-directors/creators and 34% made by ethnically diverse directors/creators.

An impressive number of major alumni filmmakers return to LFF including: Darren Aronofsky, Noah Baumbach, James Benning, Marco Bellocchio, Bertrand Bonello, Jean-Pierre and Luc Dardenne, Richard Eyre, Kevin Jerome Everson, Patricio Guzmán, Mani Haghighi, Mia Hansen-Løve, Joanna Hogg, Alejandro G. Iñárritu, Rian Johnson, Asif Kapadia, Joe Lawlor and Christine Molloy, Sebastián Lelio, Sébastien Lifshitz, Tobias Lindholm, Edward Lovelace, Martin McDonagh, Santiago Mitre, Michel Ocelot, Ruben Östlund, François Ozon, Park Chan-wook, Alexandre O. Philippe, Laura Poitras, Sarah Polley, Lucía Puenzo, João Pedro Rodrigues, Jerzy Skolimowski, Paolo Taviani, Guillermo del Toro, Lars von Trier, Nora Twomey.

Major emerging alumni returning to LFF with new features include: Ali Abassi, Fyzal Boulifa, Lukas Dhont, Alice Diop, Sally El Hosaini, Soudade Kaadan, Hlynur Pálmason, with the festival also introducing audiences to a thrilling new generation of international filmmakers with 39 debut features in LFF. 

Every feature and series screens to audiences in the UK for the very first time, with many shown publicly for the first time ever anywhere in the world. Premieres include 23 feature film and 3 series world premieres, 6 feature film international premieres and 15 feature film and 2 series European premieres.

As previously announced the LFF Expanded programme of immersive art features 6 world premieres. World premieres from filmmakers and artists include: Guillermo Del Toro’s Pinocchio; a new series from television auteur Hugo Blick, The English, starring Emily Blunt and a brand new commission AR from acclaimed filmmaker Guy Maddin, Haunted Hotel: A Melodrama in Augmented Reality. 

International premieres include She Said, starring Carey Mulligan and Zoe Kazan and based on the book from New York Times journalists Jodi Kantor and Megan Twohey, and award-winning documentary filmmaker Ondi Timoner’s Last Flight Home.

Major European premieres include: Empire of Light from Sam Mendes; Glass Onion: A Knives Out Mystery from Rian Johnson; My Policeman, directed by Michael Grandage and starring Emma Corrin, Harry Styles and Rupert Everett; Chinonye Chukwu’s Till, starring Danielle Deadwyler and Whoopi Goldberg; Allelujah, directed by Richard Eyre adapted from Alan Bennett’s play, with stars including Judi Dench and Jennifer Saunders; Frank Berry’s Aisha starring Letitia Wright and Josh O’Connor, and Lady Chatterley’s Lover, directed by Laure de Clermont-Tonnerre and also starring Emma Corrin alongside Jack O’Connell.

LFF will host the European premieres of several major new filmmaking voices: Sundance award-winner Nikyatu Jusu with Nanny; acclaimed theatre director Lila Neugebauer’s Causeway starring Jennifer Lawrence and Brian Tyree Henry, and photographer and documentarian Elegance Bratton’s The Inspection. 

Audiences will enjoy a rich programme of fiction, documentary, animation, artists’ moving image, short film, newly restored classics from the world’s archives, and exciting international works made in immersive and episodic forms.

LFF for Free will return to BFI Southbank with a programme of in-person events and screenings as well as a programme of free short films and events that will be available across the UK virtually. The festival will also be accessible UK-wide via a specially curated programme of feature and short films on BFI Player, which viewers will be able to enjoy for a full week after the festival (from 14 to 23 October).  

The LFF is delighted to invite audiences once again to its London hubs on the South Bank and in the West End, with both areas remaining at the heart of the BFI London Film Festival experience. Each night, a gala will screen at the Southbank Centre’s Royal Festival Hall on an 18-metre screen with full high-spec 7.1 channel surround sound, ensuring every seat in the over-2000-seater venue is the best in the house.The BFI’s iconic flagship venue BFI Southbank will host the prestigious competition titles, the LFF Series programme, Screen Talks and LFF For Free Events. A host of London cinemas will also screen titles from the programme including: Odeon Luxe West End, the Prince Charles Cinema, ICA, Curzon Soho and Curzon Mayfair, each of them welcoming special guests to present their work to audiences across London’s West End.  

The LFF is one of the world’s leading film festivals, with a programme that offers audiences the chance to be among the first to see hotly anticipated films from the most exciting new and established filmmakers from around the globe. The LFF competitive sections will recognise remarkable creative filmmaking achievements, and be presented in a digital ceremony, open to all on the final evening of the LFF. A soon-to-be announced set of juries will select the winners across five categories: Official Competition, First Feature, Documentary, Immersive Art and XR and Short Film. The LFF Audience Award, introduced in 2021, allows festival-goers to vote for their favourite feature, while a new category, Audience Award – Best Short Film, is also introduced this year. 

As previously announced, LFF Expanded is presented in partnership with the National Theatre, and returns in 2022 for its third year, and features ground-breaking work from artists and creative teams working in immersive media including virtual, augmented and mixed reality, from across the UK and internationally. The programme takes place across multiple venues on London’s South Bank; 26 Leake Street, the award-winning venue located in the Leake Street graffiti tunnel, National Theatre and at BFI Southbank. This programme includes the world premiere, commissioned by the LFF, of Guy Maddin’s Haunted Hotel: A Melodrama in Augmented Reality. Presented at BFI Southbank, this evocative, immersive exhibition transports the audience into a surreal paper world, created from an eclectic selection of clippings drawn from Maddin’s own personal archive, set to an intricate soundscape by acclaimed composer Magnus Fiennes.

Following last year’s incredibly successful debut, the LFF Series strand returns to showcase some of the best in new episodic programming from around the world, including three World Premieres at this year’s festival. Audiences can enjoy screenings of some of the most anticipated and exciting new series presented across a number of the LFF strands. The Series programmed is headlined by the world premiere of western The English starring Emily Blunt and Chaske Spencer, and includes the long-awaited third season of Lars von Trier’s The Kingdom trilogy, The Kingdom Exodus; Señorita 89, from director and showrunner Lucía Puenzo and producers Pablo and Juan de Dios Larraín, and the previously announced espionage thriller A Spy Among Friends and comedy-drama Mammals.

The festival aims to be inclusive, accessible and welcoming and includes many ways audiences can engage outside of the official selection: through LFF for Free, Screen Talks with major filmmakers and actors and virtual Q&As across the festival. Young cinemagoers, audiences aged 16-25 and emerging professionals can also enrich their engagement of the festival in a number of key ways: our 25 & Under £5 tickets, available across selected titles in the festival; our family screenings, our education programmes, and via events and screenings for young aspiring professionals presented with BFI Film Academy and the BFI Future Film Festival.

A full programme of events and screenings is available for professional and press delegates across the festival.

• Opening Night Gala – Roald Dahl’s Matilda the Musical (UK, dir. Matthew Warchus)
• Closing Night Gala – Glass Onion: A Knives Out Mystery (USA, dir.scr. Rian Johnson)
• American Express Gala – Empire of Light (UK-USA, dir.scr. Sam Mendes)
• American Airlines Gala – The Banshees of Inisherin (Ireland-UK-USA, dir.scr. Martin McDonagh)
• Bardo, False Chronicle of a Handful of Truths (Mexico, dir. Alejandro G. Iñárritu)
• Decision to Leave (South Korea, dir.-prod. Park Chan-wook)
• Living (UK, dir. Oliver Hermanus)
• Guillermo Del Toro’s Pinocchio (USA, dir. Guillermo Del Toro, Mark Gustafson)
• She Said (USA, dir. Maria Schrader)
• The Son (UK, dir. Florian Zeller)
• The Mayor of London’s Gala – Till (USA, dir. Chinonye Chukwu)
• BFI Patrons’ Gala – The Whale (USA, dir. Darren Aronofsky)
• White Noise (USA, dir.scr. Noah Baumbach)
• The Wonder (UK-Ireland, dir. Sebastián Lelio)

• Allelujah (UK, dir. Richard Eyre)
• Causeway (USA, dir. Lila Neugebauer)
• Series Special Presentation – The English (UK-Spain, dir.scr. Hugo Blick)
• The Eternal Daughter (UK-USA, dir.scr. Joanna Hogg)
• Holy Spider (Denmark-Germany-Sweden-France, dir. Ali Abbasi)
• My Imaginary Country (Chile-France, dir.scr. Patricio Guzmán)
• My Policeman (UK, dir. Michael Grandage)
• Nanny (USA, dir.scr. Nikyatu Jusu)
• Nil by Mouth (UK, dir.scr. Gary Oldman)
• The Swimmers (UK, dir. Sally El Hosaini)
• Triangle of Sadness (Sweden-Germany-France-UK, dir.scr. Ruben Östlund) – In association with Time Out
• Women Talking (USA, dir.scr. Sarah Polley)
• BFI Flare Special Presentation – The Inspection (USA, dir.scr. Elegance Bratton)
• Experimenta Special Presentation – Piaffe (Germany, dir. Ann Oren)

• Argentina, 1985 (Argentina, dir.scr. Santiago Mitre)
• Brother (Canada, dir.scr. Clement Virgo)
• Corsage (Austria-Luxembourg-Germany-France, dir.scr. Marie Kreutzer)
• Les damnés ne pleurent pas (France-Belgium-Morocco, dir.scr. Fyzal Boulifa)
• Enys Men (UK, dir.scr. Mark Jenkin)
• Godland (Denmark-Iceland-France-Sweden, dir.scr. Hlynur Pálmason)
• Nezouh (UK-Syria-France, dir.scr. Soudade Kaadan)
• Saint Omer (France, dir.scr. Alice Diop)

• 1976 (Chile-Argentina-Qatar, dir. Manuela Martelli)
• Blue Jean (UK, dir.scr. Georgia Oakley)
• Jeong-Sun (South Korea, dir.scr. Jeong Ji-Hye)
• Joyland (Pakistan, dir. Saim Sadiq)
• Medusa Deluxe (UK, dir.scr. Thomas Hardiman)
• Our Lady of the Chinese Shop (Angola, dir.scr. Ery Claver)
• Robe of Gems (Argentina-Mexico, dir.scr. Natalia López Gallardo)
• Rodeo (France, dir. Lola Quivoron)

• All That Breathes (India-UK-USA, dir. Shaunak Sen)
• All That Beauty and the Bloodshed (USA, dir. Laura Poitras)
• Casa Susanna (France-USA, dir. Sébastien Lifshitz)
• The Future Tense (Ireland-UK, dir.scr. Christine Molloy, Joe Lawlor)
• Kanaval: A People’s History of Haiti in Six Chapters (Haiti-UK, dir.scr. Leah Gordon, Eddie Hutton Mills)
• Lynch/Oz (USA, dir.scr. Alexandre O. Philippe)
• Name Me Lawand (UK, dir.scr. Edward Lovelace)
• What About China? (USA-China-Singapore, dir.scr. Trinh Minh-Ha)

• All Unsaved Progress Will Be Lost (France, Lead artist:  Mélanie Courtinat)
• Apparatus Ludens (UK-Sweden, Lead artist:  Untold Garden)
• As Mine Exactly (UK, Lead artist:  Charlie Shackleton)
• Black Movement Library — Movement Portraits (USA, Lead artist:  Lajuné Mcmillian)
• The Choice (Canada-Poland, Lead artist:  Joanne Popinska)
• Digital Motions (Germany, Lead artists — Helge Letonja, Marcel Karnapke, Björn Lengers, Anke Euler, Music Florian Tippe)
• Framerate: Pulse of the Earth (UK, Lead artists — Matthew Shaw, William Trossell, Scanlab Projects)
• In Pursuit of Repetitive Beats (UK, Lead artist – Darren Emerson)
• The Infinite Library (India-Germany-Czech Republic, Lead artist:  Mika Johnson)
• Intravene (UK-Canada, Lead artists – Darkfield, Crackdown, Brenda Longfellow) 
• The Last Time I Saw Snow (UK, Lead artists — Isobel Mascarenhas-Whitman, Alex Tennyson)
• Line of Contact (Netherlands-UK-Ukraine, Lead artist – Dani Ploeger)
• Missing Pictures Episode 3: The Monkey Wrench Gang (France-UK-Taiwan-Luxembourg-South Korea, Lead artist – Clément Deneux, With – Catherine Hardwicke)
• Monoliths (UK, Lead artists — Lucy Hammond, Hannah Davies, Asma Elbadawi, Carmen Marcus)
• On the Morning You Wake (To the End of the World) (UK-France-USA, Lead artists — Jamaica Heolimeleikalani Osorio, Mike Brett, Steve Jamison, Arnaud Colinart, Pierre Zandrowicz)
• Pan + Tilt (UK, Lead artists — Ruth Gibson, Bruno Martelli)
• Planet City (USA-China, Lead artists — L Liam Young, Kayvan Boudai, Elliot Ordower, James Clark)
• Walzer (The Netherlands, Lead artists — Frieda Gustavs, Leo Erken)   

• An Avocado Pit (Portugal, dir.scr. Ary Zara)
• Checoslovaquia (Peru, dir.scr. Dennis Perinango)
• Drop Out (UK, dir. Ade Femzo)
• I Have No Legs, and I Must Run (China, dir.scr. Yue Li)
• It’s Raining Frogs Outside (Philippines, dir.scr. Maria Estela Paiso)
• The Ritual to Beauty (USA, dir. Maria Marrone, Shenny De Los Angeles)
• Rosemary A.D. (After Dad) (USA, dir.scr. Ethan Barrett)
• A Sod State (Ireland-Netherlands, dir.-prod. Eoghan Ryan)
• Transparent (UK, dir. Siobhan Davies)

As in previous years, the feature film programme is organised by strand to encourage discovery and to open up the festival to new audiences. These are: Love, Debate, Laugh, Dare, Thrill, Cult, Journey, Create, Experimenta, Family and Treasures. Audiences can also find a new and exciting Series programming in many of the strands. 

• Aftersun (UK-USA, dir.scr. Charlotte Wells)
• Blue Bag Life (UK, dir. Lisa Selby, Rebecca Hirsch Lloyd-Evans, Alex Fry)
• The Blue Caftan (France-Morocco-Belgium, dir.scr. Maryam Touzani)
• Close (Belgium-France-Netherlands, dir. Lukas Dhont)
• The Cloud Messenger (India, dir.scr. Rahat Mahajan)
• Lady’s Chatterley’s Lover (UK, dir. Laure De Clermont-Tonnerre)
• Last Flight Home (USA, dir. Ondi Timoner)
• Love Life (Japan-France, dir.scr. Kôji Fukada)
• Malintzin 17 (Mexico-Switzerland, dir. Eugenio Polgovsky, Mara Polgovsky)
• Mammals (UK, dir. Stephanie Laing) 
• Maya Nilo (Laura) (Sweden, dir. Lovisa Sirén)
• More than Ever (France-Germany-Luxembourg-Norway, dir. Emily Atef)
• One Fine Morning (France-Germany, dir.scr. Mia Hansen-Løve)
• Pretty Red Dress (UK, dir.scr. Dionne Edwards)
• A Room of My Own (Georgia-Germany, dir. Ioseb ‘soso’ Bliadze)
• She Is Love (UK, dir.scr. Jamie Adams)
• Tori and Lokita (Belgium-France, dir.scr. Jean Pierre and Luc Dardenne)
• Winter Boy (France, dir.scr. Christophe Honoré)

• Blaze (Australia, dir. Del Kathryn Barton)
• Blue Island (Hong Kong (S.A.R Of China)-Japan-Taiwan, dir. Chan Tze-Woon)
• Bobi Wine: Ghetto President (Uganda, dir. Moses Bwayo, Christopher Sharp)
• Brainwashed: Sex-Camera-Power (USA, dir.-prod.-scr. Nina Menkes)
• Call Jane (USA, dir. Phyllis Nagy)
• Declaration (India, dir.scr. Mahesh Narayanan)
• Exterior Night (Italy-France, dir. Marco Bellocchio)
• Hidden Letters (China-USA-Norway-Germany, dir. Violet Du Feng, Zhao Qing)
• If the Streets Were on Fire (UK, dir. Alice Russel)
• Klondike (Ukraine, dir.scr. Maryna Er Gorbach)
• Next Sohee (South Korea, dir.scr. July Jung)
• Palm Trees and Power Lines (USA, dir. Jamie Dack)
• Stonewalling (Japan, dir.scr. Huang Ji, Ryuji Otsuka)
• The Store (Sweden-Italy, dir.scr. Ami-Ro Sköld)

• Chee$E (Trinidad And Tobago-USA, dir.scr. Damian Marcano)
• The Estate (USA, dir.scr. Dean Craig)
• Fast & Feel Love (Thailand, dir.scr. Nawapol Thamrongrattanarit)
• I Love My Dad (USA, dir.scr. James Morosini)
• Klokkenluider (UK-USA, dir.scr. Neil Maskell)
• The Middle Ages (Argentina, dir. Luciana Acuña, Alejo Moguillansky)
• Rimini (Austria-France-Germany, dir. Ulrich Seidl)
• Sick of Myself (Norway-Sweden, dir.scr. Kristoffer Borgli)

• Butterfly Vision (Ukraine-Czech Republic-Croatia-Sweden, dir. Maksym Nakonechnyi)
• Coma (France, dir.scr. Bertrand Bonello)
• De Humani Corporis Fabrica (France, dir. Lucien Castaing-Taylor, Verena Paravel)
• Eo (Poland-Italy, dir. Jerzy Skolimowski)
• Horseplay (Los Agitadores) (Argentina, dir.scr. Marco Berger)
• Inland (UK, dir.scr. Fridtjof Ryder)
• Into the Ice (Denmark-Germany, dir.scr. Lars Henrik Ostenfeld)
• Manticore (Spain, dir.scr. Carlos Vermut)
• Pacifiction (France-Spain-Germany-Portugal, dir.scr. Albert Serra)
• Shttl (Ukraine-France, dir.scr. Ady Walter)
• Subtraction (Iran-France, dir. Mani Haghighi)
• Unrest (Switzerland, dir.scr. Cyril Schäublin)
• The Woodcutter Story (Finland-Netherlands-Denmark-Germany, dir.scr. Mikko Myllylahti)
• Xalé (Senegal-Ivory Coast, dir. Moussa Sène Absa)

• Ashkal (France-Tunisia-Qatar, dir. Youssef Chebbi)
• The Blaze (France, Quentin Reynaud)
• Boy from Heaven (Sweden-France-Finland-Denmark, dir.scr. Tarik Saleh)
• Emily the Criminal (USA, dir.scr. John Patton Ford)
• Faraaz (India, dir. Hansal Mehta)
• The Good Nurse (USA, dir. Tobias Lindholm)
• L’Origine du mal (France-Canada, dir. Sébastien Marnier)
• Señorita 89 (Mexico, dir. Lucía Puenzo, Nicolás Puenzo, Jimena Montemayor, Sílvia Quer)
• A Spy Among Friends (UK, dir. Nick Murphy)
• The Stranger (Australia, dir.scr. Thomas M. Wright)
• The Woman in the White Car (South Korea, dir. Christine Ko)

• Attachment (Denmark, dir.scr. Gabriel Bier Gislason)
• The Kingdom Exodus (Denmark, dir. Lars Von Trier)
• Linoleum (USA, dir.scr. Colin West)
• New Normal (South Korea, dir.scr. Jung Bum-Shik)
• The Nightmare (Norway, dir.scr. Kjersti Helen Rasmussen)
• The Origin (UK, dir. Andrew Cumming)
• Unicorn Wars (Spain-France, dir. Alberto Vázquez)
• You Won’t Be Alone (Australia, dir.scr. Goran Stolevski)

• After Sherman (USA, dir.scr. Jon-Sesrie Goff)
• Aisha (Ireland, dir.scr. Frank Berry)
• Alcarràs (Spain-Italy, dir. Carla Simón)
• Autobiography (Indonesia-France-Singapore-Poland-Philippines-Germany-Qatar, dir.scr. Makbul Mubarak)
• Crows Are White (USA, dir. Ahsen Nadeem)
• The Girl from Tomorrow (Italy-France, dir.scr. Marta Savina)
• High School (USA-Canada, dir. Clea Duvall)
• Know Your Place (USA, dir.scr. Zia Mohajerjasbi)
• Liquor Store Dreams (USA, dir. So Yun Um)
• Nayola (Portugal-Belgium-France-Netherlands, dir. José Miguel Ribeiro)
• The Passengers of the Night (France, dir. Mikhaël Hers)
• Shabu (Netherlands, dir.scr. Shamira Raphaëla)
• Small, Slow but Steady (Japan-France, dir. Shô Miyake)
• Summer with Hope (Canada-Iran, dir. Sadaf Foroughi)
• Super Eagles ’96 (UK-Nigeria, dir.scr. Yemi Bamiro)
• Under the Fig Trees (Tunisia-France-Switzerland-Germany-Qatar, dir. Erige Sehiri)
• Utama (Bolivia-Uruguay-France, dir.scr. Alejandro Loayza Grisi)

• The African Desperate (USA, dir. Martine Syms)
• Creature (UK, dir. Asif Kapadia)
• Fragments of Paradise (USA, dir. Kd Davison)
• Geographies of Solitude (Canada, dir. Jacquelyn Mills)
• Getting It Back: The Story of Cymande (UK, dir. Tim Mackenzie-Smith)
• God Said Give ‘em Drum Machines (USA, dir. Kristian R Hill)
• Leonora Addio (Italy, dir.scr. Paolo Taviani)
• Meet Me in the Bathroom (UK, dir. Dylan Southern, Will Lovelace)
• Peter Von Kant (France-Belgium, dir. François Ozon)
• Self Portrait as a Coffee Pot (South Africa-USA, dir. William Kentridge)
• Where Is This Street? Or With No Before And After (Portugal-France, dir. João Pedro Rodrigues, João Rui Guerra Da Mata)
• The Worst Ones (France, dir. Lise Akoka, Romane Gueret)

• 100 Ways to Cross the Border (USA-Mexico, dir. Amber Bay Bemak)
• Becoming Plant (UK-Denmark, Norway, dir. Grace Ndiritu)
• Qualities of Life: Living in the Radiant Cold (Germany, dir.-prod.-scr. James Richards)
• The Blue Rose of Forgetfulness (USA, dir.-prod. Lewis Klahr)
• Roary (UK, dir. Director David Leister)
• Staging Death (Austria-Germany, dir. Jan Soldat)
• Jill, Uncredited (Canada-UK, dir. Anthony Ing)
• Blind Yellow Sunshine (UK, dir.scr.-prod. Adonia Boucherhri)
• Herbaria (Argentina-Germany, dir.scr. Leandro Listorti)
• Seaweed (UK, dir. Julia Parks)
• The United States of America (USA, dir. James Benning)
• Patent 1,571,148 (USA, dir. Kevin Jerome Everson)
• Transparent (UK, dir. Siobhan Davies)
• Aribada (Colombia-Germany, dir.-prod. Simon(E) Jaikiriuma Paetau, Natalia Escobar)
• The Severed Tail (Germany, dir.scr. Marianna Simnet)
• I’ll Be Back (UK, dir. Hope Strickland)
• Chuu Chuu (USA, dir.scr.-prod. Mackie Mallison)
• Downstream (UK, dir.-prod. Adam Kossoff)
• Vision of Paradise (Brazil-USA, dir.scr.-prod. Leonardo Pirondi)
• The Ocean Analog (Spain-Mexico, dir. Luis Macias)
• Sappukei (Taiwan, dir. Chun Wang, Hikky Chen)
• A Sod State (Ireland-Netherlands, dir.-prod. Eoghan Ryan)
• 45th Parallel (UK, dir.scr. Lawrence Abu Hamdan)
• Chants from a Holy Book (Brazil, dir.-prod.-scr. Cesar Gananian, Cassiana Der Haroutiounian)
• Takbir (Italy-Afghanistan, dir.scr. Aziz Hazara)
• As If No Misfortune Had Occurred in the Night (UK-Denmark, dir. Larissa Sansour, Soren Lind)

• Flowers (UK, dir.scr. Dumas Haddad)
• I Have No Legs, and I Must Run (China, dir.scr. Yue Li)
• In Light (Bulgaria-France-Italy, dir. Alice Fassi)
• Nant (UK, dir.scr. Tom Chetwode-Barton)
• Bird in the Peninsula (France-Japan, dir.scr. Atsushi Wada)
• Bucket in the Forest (Australia, dir.scr. Blaise Borrer)
• Frontier (Ukraine, dir.-prod.-scr. Tymofii Biniukov)
• The Ritual to Beauty (USA, dir. Maria Marrone, Shenny De Los Angeles)
• Skyward (UK, dir. Jessica Bishopp)
• Silence (UK, dir. Arnas Pigulevicius)
• Blue Room (USA, dir.-prod. Merete Mueller)
• Forest Coal Pit (UK, dir.scr. Siôn Marshall-Waters)
• It’s Raining Frogs Outside (Philippines, dir.scr. Maria Estela Paiso)
• Haulout (UK, dir.-prod.-scr. Evgenia Arbugaeva, Maxim Arbugaev)
• Tria (Italy, dir.scr. Giulia Grandinetti)
• Birds (USA, dir.scr. Katherine Propper)
• Groom (UK, dir.scr. Leyla Coll-O’reilly)
• Back to Scholl (UK, dir. Tyro Heath)
• The Dependent Variables (Italy, dir. Lorenzo Tardella)
• Yung Michal (Czech Republic, dir. Štěpán Fok Vodrážka)
• My Year of Dicks (USA-Iceland, dir. Sara Gunnarsdóttir)
• Honey (India, dir. Tanmay Chowdhary, Tanvi Chowdhary)
• Outdoors (UK, dir. John Fitzpatrick)
• Rosemary A.D. (After Dad) (USA, dir.scr. Ethan Barrett)
• An Avocado Pit (Portugal, dir.scr. Ary Zara)
• Curiosa (UK, dir. Tessa Moult-Milewska)
• The Pass (USA, dir.scr. Pepi Ginsberg)
• Checoslovaquia (Peru, dir.scr. Dennis Perinango)
• Platform (Germany, dir.scr. Steffen Köhn, Johannes Büttner)
• Mono No Aware (USA, dir.-prod. Quinton Kienow Dominguez)
• Moshari (Bangladesh, dir.scr. Nuhash Humayun)
• File (Iran, dir. Sonia K. Hadad)
• Mars (UK, dir. Abel Rubinstein)
• The Riley Sisters (UK-Canada, dir. Julia Jackman)
• For Heidi (UK, dir.scr. Lucy Campbell)
• Surpri-! (UK, dir.scr. Rory D. Bentley)
• Drop Out (UK, dir. Ade Femzo)
• Pram Snatcher (UK, dir.scr. Theo James Krekis)
• Mab Hudel (UK, dir.scr. Edward Rowe)
• The Debutante (UK, dir.scr. Elizabeth Hobbs)
• Spinning (UK, dir. Sam Spruell)
• My Eyes Are Up Here (UK, dir. Nathan Morris)
• Sticks of Fury (UK, dir. Yuan Hu)

• All Unsaved Progress Will Be Lost (France, Lead artist: Mélanie Courtinat)
• Apparatus Ludens (UK-Sweden, Lead artist: Untold Garden)
• As Mine Exactly (UK, Lead artist:  Charlie Shackleton)
• Black Movement Library — Movement Portraits (USA, Lead artist: Lajuné Mcmillian)
• The Choice (Canada-Poland, Lead artist:  Joanne Popinska)
• Digital Motions (Germany, Lead artists — Helge Letonja, Marcel Karnapke, Björn Lengers, Anke Euler, Music Florian Tippe)
• Framerate: Pulse of the Earth (UK, Lead artists — Matthew Shaw, William Trossell, Scanlab Projects)
• Haunted Hotel: A Melodrama in Augmented Reality (Germany, Lead artist: Guy Maddin)
• The Infinite Library (India-Germany-Czech Republic, Lead artist:  Mika Johnson)
• In Pursuit of Repetitive Beats (UK, Lead artist – Darren Emerson)
• Intravene (UK-Canada, Lead artists – Darkfield, Crackdown, Brenda Longfellow) 
• The Last Time I Saw Snow (UK, Lead artists — Isobel Mascarenhas-Whitman, Alex Tennyson)
• Line of Contact (Netherlands-UK-Ukraine, Lead artist – Dani Ploeger)
• A Mighty Mass Emerges (Switzerland-France-Italy, Lead artist:  Wu Tsang)
• Missing Pictures Episode 3: The Monkey Wrench Gang (France-UK-Taiwan-Luxembourg-South Korea, Lead artist – Clément Deneux, With – Catherine Hardwicke)
• Monoliths (UK, Lead artists — Lucy Hammond, Hannah Davies, Asma Elbadawi, Carmen Marcus)
• On the Morning You Wake (To the End of the World) (UK-France-USA, Lead artists — Jamaica Heolimeleikalani Osorio, Mike Brett, Steve Jamison, Arnaud Colinart, Pierre Zandrowicz)
• Pan + Tilt (UK, Lead artists — Ruth Gibson, Bruno Martelli)
• Planet City (USA-China, Lead artists — L Liam Young, Kayvan Boudai, Elliot Ordower, James Clark)
• Walzer (The Netherlands, Lead artists — Frieda Gustavs, Leo Erken)   

• The Black Pharaoh, the Savage and the Princess (France, dir.scr. Michel Ocelot)
• Mini-Zlatan and Uncle Darling (Sweden-Norway, dir. Christian Lo)
• My Father’s Dragon (Ireland, dir. Nora Twomey)
• My Robot Brother (Denmark, dir.scr. Frederik Nørgaard)
• Neneh Superstar (France, dir.scr. Ramzi Ben Sliman)
• Suzie in the Garden (Czechia-Slovakia, dir.scr. Lucie Sunková)
• I’m Not Afraid (Germany-Norway, dir.scr. Marita Mayer)    
• Aeronaut (Netherlands, dir.scr. Leon Golterman)
• Bellysaurus (Australia, dir.-prod.-scr. Philip Watts) 
• Zootropolis + “Godfather of the Bride” (USA, dir. Josie Trinidad, Trent Correy)
• Bristles (Netherlands, dir.scr. Quentin Haberham)
• Hush, Hush, Little Bear (Latvia, dir.scr. Māra Liniņa)
• Mr. Spam Gets a New Hat (UK, dir.scr. William Joyce)
• Hello to Me in 100 Years (Taiwan, dir.scr. Wu-Ching Chang)

All That Money Can Buy (USA, dir.-prod. William Dieterle)
The Circus Tent (India, dir.scr. Aravindan Govindan)
Contras’ City / Badou Boy (Senegal, dir. Djibril Diop Mambéty)
Eight Deadly Shots (Finland, dir.-prod.-scr. Mikko Niskanen)
Foolish Wives (USA, dir.scr. Erich Von Stroheim)
Kamikaze Hearts (USA, dir. Juliet Bashore)
The Passion of Remembrance (UK, dir.scr. Maureen Blackwood, Isaac Julien)
The Queen of Spades (UK, dir. Thorold Dickinson)

We are delighted to welcome back our Principal Partner, American Express, with this year marking an extraordinary 13 years of partnership.

Their support makes the festival possible, as does that of the UK Government, the Department for Digital, Culture, Media & Sport and the National Lottery. 

Our heartfelt thanks also go to returning partners American Airlines as Main Sponsor and Official Airline Partner, and to our official Hotel Partner, The Londoner, as well as Main Funding Contributors the Mayor of London and Film London.

We are also delighted to warmly welcome back our sponsors Bloomberg Philanthropies and Netflix.

A huge thank you goes to the festival’s generous in-kind sponsors: Christie’s, Dalston’s Soda, Fourpure, Global, Getty Images and Ocean Outdoors.

LFF partner venues around the UK include: 

• BFI Southbank
• Curzon Soho (Screen 1, 2 and 3)
• Curzon Mayfair (Screen 1)
• Institute  of Contemporary Arts (ICA)
• LFF Expanded at 26 Leake Street
• LFF Expanded at the National Theatre
• ODEON Luxe West End (Screen 1 and 2) – Londoner Hotel
• Prince Charles Cinema
• The Southbank Centre’s Royal Festival Hall

• HOME, Manchester
• Watershed, Bristol
• Glasgow Film Theatre, Glasgow
• Broadway, Nottingham
• Showroom Cinema, Sheffield
• Queen’s Film Theatre, Belfast
• Chapter, Cardiff
• Tyneside Cinema, Newcastle upon Tyne
• Midlands Arts Centre (MAC), Birmingham
• Edinburgh Filmhouse

Additional screenings on selected titles may also be added during the festival window at other venues. These are at the discretion of the distributor and will be signposted on the festival website where added.

The 66th BFI London Film Festival in partnership with American Express takes place from Wednesday 5 October to Sunday 16 October 2022.