Sahir Avik D’souza

We become our mothers: The Eternal Daughter vs Petite maman

Like Céline Sciamma’s modern classic Petite maman, Joanna Hogg’s new film The Eternal Daughter plays intriguingly with family likenesses and the maternal bond, says Sahir Avik D’souza, one of the critics on this year’s LFF Critics Mentorship Programme.