Sight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
Get your copyThe new issue of Sight and Sound
On the cover: the Cornish auteur Mark Jenkin on Rose of Nevada and the alchemy of analogue Inside the issue: As Otomo Katsuhiro’s Akira returns to UK cinemas nearly four decades on, Roger Luckhurst asks if it can speak to our 21st century condition? Writing exclusively for Sight and Sound, Quentin Tarantino sings the praises of Joe Carnahan’s thriller The Rip; Jason Wood speaks to Chris Petit and Emma Matthews about D is for Distance and turning their medical anguish into cinematic wonder; At the movies with Raoul Peck. Plus, reviews of new releases and a look back at Jean-Pierre Jeunet’s Amélie as it turns 25.
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The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
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Croatian actor Slavko Sobin is the emotional core of Thea Gajić’s sensitive debut film, which follows a Serbian musician and recovering addict who is trying to keep his life on track.
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Wild Foxes: the body keeps the score in this affecting drama about an injured young boxer
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“A story marshalled with dazzling skill and precision”: All the President’s Men reviewed in 1976
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Exit 8: a video game turned claustrophobic time-loop horror movie
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Miroirs No. 3 second look review: a glorious sun dappled noir from Christian Petzold
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The Wizard of the Kremlin: a westernised take on Putin’s rise to power
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Rebuilding: Josh O’Connor delivers a tender performance in this timely story of a rancher set adrift by wildfires
By Kate Stables
Sight and Sound back issues, indexes and archive
Browse and order our past issues, including specials; download our annual indexes; access our complete digital archive.
Find out moreMy Dream Palace
“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras
By Nick Broomfield
Ten key cinema workers on the way out of lockdown
By Katie McCabe and Isabel Stevens
Let there be projector light: 80 films that take us inside cinemas
By Thomas Flew
The Weekly Film Bulletin
Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
Keeping a distance: Chantal Akerman’s Jeanne Dielman
By Janet Bergstrom
An audience with Howard Hawks
By Joseph McBride and Michael Wilmington
Rhapsody in blue: Barry Jenkins on Moonlight
By Gaylene Gould
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