The new issue of Sight and Sound
On the cover: 21st-century sci-fi special – from dystopias to dreamworlds, the essential science-fiction films of the millennium so far Inside: Cannes bulletin including interviews with Sandra Hüller and Bruce Dern, Sumitra Peries interviewed by Mark Cousins and we revisit David Robinson's 1966 visit to the set of Stanley Kubrick's 2001: A Space Odyssey
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Subscribe nowSight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
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The Last One for the Road: a leisurely Beckettian bender through northeastern Italy
The Italian director Francesco Sossai’s boozy road movie avoids grand epiphanies, instead painting a leisurely textured portrait of desolate spaces, and day to day living.
By Philip Concannon
Shoot the People: Misan Harriman documentary questions the power and purpose of protest imagery
By Leila Latif
God’s lonely man: Amy Taubin on Taxi Driver
By Amy Taubin
Supergirl: Milly Alcock carries this movie on her cape
By Kim Newman
The Furious: familiar revenge cinema gets an exuberant martial-arts workout
By David West
Don’t try this at home: Jackass: The Movie reviewed in 2003
By Edward Lawrenson
“I want to make films about my community”: Akinola Davies Jr
By Nadia Denton

The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
Find out moreSight and Sound back issues, indexes and archive
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Find out moreThe Weekly Film Bulletin
Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
God’s lonely man: Amy Taubin on Taxi Driver
Vietnam, gunplay, race and bloodletting are all part of the Taxi Driver myth, but does the film – returning to cinemas this week for its 50th anniversary – deliver the truth about men in crisis? From our April 1999 issue.
By Amy Taubin
Don’t try this at home: Jackass: The Movie reviewed in 2003
By Edward Lawrenson
Death becomes Visconti
By Michael Wood
A close encounter with Steven Spielberg
By Richard Combs
A “lethally perfumed neo-noir”: David Lynch’s Mulholland Dr.
By Graham Fuller
Blonde ambition: Legally Blonde reviewed in 2001
By Kay Dickinson
Beauties and the beast: Lina Wertmüller’s Seven Beauties and Martin Scorsese’s Taxi Driver
By Colin L. Westerbeck Jr.
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