Sight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
Get your copyThe new issue of Sight and Sound
On the cover: A world exclusive interview with Tom Cruise Inside: The latest edition of Black Film Bulletin, Wes Anderson on The Phoenician Scheme, the career of Mai Zetterling, the legacy of the Film Society, archive of the story of Japan's new wave, Andres Veiel in conversation, BFI’s Film on Film festival
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The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
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Sight and Sound: the June 2025 issue
On the cover: A world exclusive interview with Tom Cruise Inside: The latest edition of Black Film Bulletin, Wes Anderson on The Phoenician Scheme, the career of Mai Zetterling, the legacy of the Film Society, archive of the story of Japan's new wave
The Wedding Banquet: a satisfying reimagining of the 1993 classic
By Alex Davidson
It’s Not Me: Leos Carax’s playful self-portrait reflects on a life of adventurous filmmaking
By Giovanni Marchini Camia
Mai Zetterling: some notes on acting
By Mai Zetterling
Motel Destino: Karim Aïnouz’s equatorial noir sweats with neon hues and sexual tension
By Jane Giles
The Uninvited: Nadia Conners makes the anxieties of these Hollywood A-listers feel relatable
By Adam Nayman
Thunderbolts*: finally, a fresh and engaging premise for the MCU
By Kim Newman
Sight and Sound back issues, indexes and archive
Browse and order our past issues, including specials; download our annual indexes; access our complete digital archive.
Find out moreMy Dream Palace
“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras
By Nick Broomfield
Ten key cinema workers on the way out of lockdown
By Katie McCabe and Isabel Stevens
Let there be projector light: 80 films that take us inside cinemas
By Thomas Flew
The Weekly Film Bulletin
Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
Keeping a distance: Chantal Akerman’s Jeanne Dielman
By Janet Bergstrom
An audience with Howard Hawks
By Joseph McBride and Michael Wilmington
Rhapsody in blue: Barry Jenkins on Moonlight
By Gaylene Gould
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