The new issue of Sight and Sound
On the cover: award-winning director Christiopher Nolan on The Odyssey, oral tradition and Imax. Inside: tributes to Tony Rayns and Sam Neil, a look back on Chantal Akerman and Martin Scorsese’s New York, Gary Owen on bringing Effi O Blaenau to the screen, Pedro Almodóvar on Bitter Christmas, Maite Alberdi on A Child of My Own and we return to our Winter 1970/71 interview with Claude Chabrol.
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Subscribe nowSight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
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The End of Oak Street: gripping dino survival film feels Spielbergian but plays against expectations
When their suburban neighbourhood is transported from 1982 to a prehistoric jungle, Denise (Anne Hathaway) and Greg (Ewan McGregor) must set aside their differences to protect their children from deadly dinosaurs in David Robert Mitchell’s tense and trope-breaking sci-fi romp.
By Kim Newman
Of monsters and men: Peter Wollen on Jurassic Park
By Peter Wollen
Coyote vs. Acme: Toon courtroom drama is one of the smartest critiques of US politics in years
By Catherine Wheatley
Lady: oddball mockumentary about a narcissistic aristocrat is strangely moving
By Gayle Sequeira
Darkest hour: the first ever film of a solar eclipse
By Bryony Dixon
“It earns every hair it stiffens”: Alejandro Amenábar’s The Others
By Nick James
Ice Cream Man: sweet treats turn sour in Eli Roth’s gory story of evil kids attacking adults
By Kim Newman
The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
Find out moreSight and Sound back issues, indexes and archive
Browse and order our past issues, including specials; download our annual indexes; access our complete digital archive.
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Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
Of monsters and men: Peter Wollen on Jurassic Park
As David Robert Mitchell’s dino flick The End of Oak Street arrives in cinemas, we revisit Peter Wollen’s 1993 article on what Steven Spielberg’s Jurassic Park shares with the 1925 monster movie The Lost World, the 19th-century dinosaur cult and Hitchcock’s The Birds.
By Peter Wollen
Darkest hour: the first ever film of a solar eclipse
By Bryony Dixon
“It earns every hair it stiffens”: Alejandro Amenábar’s The Others
By Nick James
“He was a giant for work”: Michal Leszczylowski, editor of The Sacrifice, on Andrei Tarkovsky
By Michal Leszczylowski
Gods and monsters: Spirited Away reviewed in 2003
By Andrew Osmond
The misfits of Zwigoff: a visit to the set of Ghost World
By SF Said
Lonesome tonight: Tony Rayns and Edward Yang on A Brighter Summer Day
By Tony Rayns
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