Zunzunegui Santos
Professor emmeritus of Audiovisual Communication at Basque Country University (UPV/EHU)
Spain
Voted for
| Film | Year | Director |
|---|---|---|
| Lady Windermere's Fan | 1925 | Ernst Lubitsch |
| October | 1928 | Sergei M. Eisenstein |
| La Grande Illusion | 1937 | Jean Renoir |
| Paisan | 1946 | Roberto Rossellini |
| Wagon Master | 1950 | John Ford |
| Bakushû | 1951 | Yasujirō Ozu |
| Pickpocket | 1959 | Robert Bresson |
| CHRONIK DER ANNA MAGDALENA BACH | 1968 | Jean-Marie Straub |
| ZIR-E DARAKHTAN-E ZEYTON | 1994 | Abbas Kiarostami |
| Histoire(s) du Cinéma | 1988 | Jean-Luc Godard |
Comments
Lady Windermere's Fan
1925 USA
"Plus beau et plus épais que le plus romanesques Hitchcock" (Jean-Marie Straub, 1968)
October
1928 USSR
History, myth and avant garde.
La Grande Illusion
1937 France
Cinema and politics, art and ideology, same thing.
Paisan
1946 Italy
"The language of Ovidius and Vergilius, Dante and Leopardi has going straight on the images" (Jean-Luc Godard).
Wagon Master
1950 USA
"The Claude Lorrain of the West" (Roger Tailleur)
Bakushû
1951 Japan
Sense ans sensibility.
Pickpocket
1959 France
Le cinématographe, le cinématographe!!!
CHRONIK DER ANNA MAGDALENA BACH
1968 Federal Republic of Germany, Italy
"A film where music is not used as accompaniment, neither commentary but as aesthetic subject" (Jean-Marie Straub).
ZIR-E DARAKHTAN-E ZEYTON
1994 Iran
It contains the most beautiful sequence shot of the thirty last years of cinema.
Histoire(s) du Cinéma
1988 France, Switzerland
"Cogito ergo video" (in Histoire(s) du cinéma).