From its long hot shags to its skin-blotched arguments and sleeping faces, Blue is the Warmest Colour pushes the boundaries of naturalism on screen, discovers Jonathan Romney.
Mexico’s travelling documentary showcase brings out the crowds for the best ‘difficult’ movies. Nick Roddick reports.
Claire Denis’ The Bastards peers into the contemporary heart of darkness, says Amy Taubin.
Six of the best in this year’s genre showcase got to grips with distinctly grounded human concerns, reports Anton Bitel.
Steven Soderbergh’s Liberace movie – mootedly his last – is not only a cracking time piece, but also carries apt echoes of Citizen Kane, finds Geoff Andrew.
Paolo Sorrentino, Valeria Bruni-Tedeschi and James Toback show us the money. By Nick James.
Ashley Clark digs into post-Sandy transmedia, robot documentarists, Vine, lolcats, Facebook-chat reconstructions, a crowdboggled Paul Verhoeven and much more at New York’s downtown film festival.