Sight & Sound articles

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  • Paris: animation capital of the world?

    Have the French conquered the high ground of art cartoons, asks Alex Dudok de Wit?

    Alex Dudok de Wit
    Wednesday 22 October 2014

    Features

  • From the Magazine

    Shock treatment: The Knick

    Having ‘retired’ from Hollywood, Steven Soderbergh is applying what he learned in cinema to his TV medical series The Knick, writes Peter Labuza.

    Peter Labuza
    Friday 10 October 2014

    Features

  • Blue movies: Diva, The Smurfs 2 and the ontology of cinema

    Like Jean-Jacques Beineix’s Diva three decades before it, The Smurfs 2 drinks deep from the shallows of its movie-ness, says Greg Hainge.

    Greg Hainge
    Friday 3 October 2014

    Features

  • From the Magazine

    In remembrance of things past / in memoriam Peter von Bagh

    The late director and cinephile Peter von Bagh was a cultural institution in his native Finland but his work remains unjustly neglected abroad, says Olaf Möller.

    Olaf Möller
    Wednesday 24 September 2014

    Features

  • From the Magazine

    How to write a film on a piano: Norman McLaren’s visual music

    By physically carving soundtracks onto celluloid, Norman McLaren – who would have turned 100 last April – anticipated digital music. By Crystal Chan.

    Crystal Chan
    Tuesday 16 September 2014

    Features

  • Hans Hillmann: four directors pay tribute to the film poster designer

    Edgar Reitz, Chrisoph Hochhäusler, Volker Schlöndorff and Peter Strickland talk to Isabel Stevens about German graphic designer Hans Hillman’s daring and radical film posters.

    Isabel Stevens
    Monday 15 September 2014

    Features

  • From the Magazine

    Poetry in motion

    In 1963, as the auteurists were claiming ascendancy in the UK, critic Raymond Durgnat was swimming against the tide, helping transform film culture with his far-sighted advocacy of films such as Peeping Tom and Black Sunday. By Henry K. Miller.

    Henry K Miller
    Wednesday 3 September 2014

    Features

  • From the Magazine

    Left-handed cinema

    Can even small, apparently insignificant, details – such as whether a character is left-handed – affect how we read a film? By David Thomson.

    David Thomson
    Wednesday 13 August 2014

    Features

  • From the Magazine

    From the S&S archives: Notes on The Big Sleep, 30 years after

    James Monaco weighs the merits of this “fullest, richest and most resonant” private eye movie, and places it at the “nodal point in the tide that was Hollywood”.

    James Monaco
    Wednesday 13 August 2014

    Features

  • From the Magazine

    Lost and found: Across the Bridge

    A model of adaptation, Across the Bridge cleverly expands Graham Greene’s original short story, says the screenwriter Paul Mayersberg.

    Paul Mayersberg
    Wednesday 6 August 2014

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