Brogan Morris
All articles by Brogan Morris
Interviews
“Everything was ass-backwards”: Griffin Dunne on shooting After Hours with Martin Scorsese
Griffin Dunne recalls the nocturnal shoot of After Hours: how it recharged Scorsese’s career, the input of Michael Powell, and the prospect of Tim Burton directing.
By Brogan Morris
“Everything was ass-backwards”: Griffin Dunne on shooting After Hours with Martin Scorsese
Interviews
My film with Werner Herzog: “He’s a very nice guy who’s interested in soccer and barbecue”
By Brogan Morris
Bookends
Sidney Lumet’s first and last films: 12 Angry Men and Before the Devil Knows You’re Dead
By Brogan Morris
Features
Dazed and Confused: how Richard Linklater created the ultimate high-school experience
By Brogan Morris
Where to begin
Where to begin with Christopher Nolan
By Brogan Morris
Where to begin
Where to begin with Steven Spielberg
By Brogan Morris
Obituaries
Ray Liotta obituary: magnetic Goodfellas star and one of cinema’s great wise guys
By Brogan Morris
Where to begin
Where to begin with Francis Ford Coppola
By Brogan Morris
Interviews
Andrea Arnold on Cow: “Sometimes when you’re filmmaking, you get sent gifts from the universe”
By Brogan Morris
Where to begin
Where to begin with Powell and Pressburger
By Brogan Morris
Features
A year of lockdown: the screen culture that got us through it
By Henry Barnes, Whelan Barzey and others
Lists
Sean Connery (1930-2020): 10 films to remember him by
By Brogan Morris
Features
Clint’s best shot: White Hunter Black Heart and Eastwood’s biggest performance
By Brogan Morris
Watch a cult classic
Watch a cult classic #7: Kwaidan
By Brogan Morris