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Satire cloaks melodrama and fear masks guilt in this rich tapestry of Brazilian nouveau-riche life, writes Tony Rayns.
Thirza Wakefield records how the counter-culture hub movement took root in England’s second city.
Where went our dreams of building a better tomorrow, asks Ken Loach (and friends)?
Sexual and divine love make ill-starred bedfellows in Cristian Mungiu’s measured and powerful monastery drama, says Nick Roddick.
Too slippery for its own good, this medical/corporate/sometime-erotic thriller is not the film with which Steven Soderbergh should hang up his boots, writes Trevor Johnston.
Where is the Django Unchained auteur taking his talent, asks Kevin B. Lee?
