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Finally, Leo smiles again! And brings layers of resonance to lurid Baz Luhrmann’s madcap assault on Scott Fitzgerald’s glittering prize, says Nick Pinkerton.
Kogonada pits the director of The Bicycle Thieves against the producer of Gone with the Wind on the same movie material.
This black, brooding portrait of an ethnic Yakut furnace-feeder in lawless 90s Russia richly reconciles Aleksey Balabanov’s grimmer films and his weirder ones, writes Michael Brooke.
Nick Roddick on a Sundance winner with a grip on all the above – and Sofia Coppola’s latest.
Catherine Bray leaves behind the UK’s current arte povera to visit the bling, yachts and fairy dust at this year’s Cannes.
Joseph Bevan on how a North Shields art student set the world agog.
