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Geoff Andrew roams from Raoul Walsh’s grand west and Sergio Leone’s expanded gangster epic to the less-fêted works of Jean Grémillon at Bologna’s festival of recovery and discovery.

Elaine May’s 1971 black comedy may have been butchered by the studio, but the end result is still glorious, writes Ryan Gilbey.

This year’s IndieLisboa took place under the cloud of absolute public-funding cuts to Portuguese cinema. Álvaro Arroba reports from the home of the world’s perennial filmmaking vanguard.